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ATB
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From the tomb of Philip II comes not only his royal crown but items belonging to a woman, thought by Kottaridi to be the Thracian princess Meda of Odessa, one of his wives.
Kottaridi believes she may have committed suicide, according to Thracian practice, so as to serve her husband in death as well as life. Her beautiful, highly wrought golden crown from the tomb is, said Kottaridi, "one of the masterpieces of the exhibition".
Yes, I wondered who would pick up on that!amyntoros wrote:Won't see me, unfortunately.What did you make of the stament below?
The first question I would ask is whether there is any historical evidence that, by the time of Philip II, this traditional practice still existed? For instance, we know that there was a period when Thracian men tattooed their faces (and I once saw a Bulgarian site which claimed that women also did so) but the murals on the 4th Century Thracian tomb of Kazanlak show no evidence of tattoos as far as I can tell from online photographs. So if that practice had died out then it is possible that the other one had ceased as well, unless someone knows of evidence to the contrary. IMO, if Philip's Thracian wife had killed herself upon Philip's death then I think it would have been worthy of mention. Strabo notes that the practice existed amongst some of the Indians, so surely the Greeks would have discussed such an event had it occurred after the death of Philip, if only to reinforce their opinion of the Macedonians as "barbarians" for allowing such a practice?marcus wrote:
Well, put it this way ... there isn't any evidence to say that it *isn't* Meda, but there isn't any evidence to say that it *is*, either. Unfortunately, Kottadiri can do no more than produce a theory which can be neither proved nor disproved. There is no written source that tells us what happened to Meda - indeed, to any of Philip's wives apart from Olympias - and there's no epigraphic evidence in the tomb that can tell us who the occupant is. So Kottaridi can only base his theory on (a) the lack of anything to the contrary in the sources, and (b) knowledge of what *some* Thracian women traditionally did.
Not very convincing, but as possible as any other explanation.
I agree. I don't know of any historical evidence that Thracian women still committed ritual suicide - maybe a deep read of Strabo or Pliny?amyntoros wrote:The first question I would ask is whether there is any historical evidence that, by the time of Philip II, this traditional practice still existed? For instance, we know that there was a period when Thracian men tattooed their faces (and I once saw a Bulgarian site which claimed that women also did so) but the murals on the 4th Century Thracian tomb of Kazanlak show no evidence of tattoos as far as I can tell from online photographs. So if that practice had died out then it is possible that the other one had ceased as well, unless someone knows of evidence to the contrary. IMO, if Philip's Thracian wife had killed herself upon Philip's death then I think it would have been worthy of mention. Strabo notes that the practice existed amongst some of the Indians, so surely the Greeks would have discussed such an event had it occurred after the death of Philip, if only to reinforce their opinion of the Macedonians as "barbarians" for allowing such a practice?
I feel Kottadiri's theory is the least convincing to date, but that's just my opinion.![]()
marcus wrote:Yes, I wondered who would pick up on that!amyntoros wrote:Won't see me, unfortunately.What did you make of the stament below?
Well, put it this way ... there isn't any evidence to say that it *isn't* Meda, but there isn't any evidence to say that it *is*, either. Unfortunately, Kottadiri can do no more than produce a theory which can be neither proved nor disproved. There is no written source that tells us what happened to Meda - indeed, to any of Philip's wives apart from Olympias - and there's no epigraphic evidence in the tomb that can tell us who the occupant is. So Kottaridi can only base his theory on (a) the lack of anything to the contrary in the sources, and (b) knowledge of what *some* Thracian women traditionally did.
Not very convincing, but as possible as any other explanation.
ATB
Thanks for this - very interesting to peruse.Alexias wrote:Press release (mini-catalogue) for the exhibition http://www.ashmolean.org/assets/docs/Ex ... essKit.pdf
When I do go, I shall certainly post some thoughts.Sandra wrote:I hope that someone from Britain will post at least short impressions from their visit to this exhibition. I am still thinking about going to Oxford, but I need to go with plane and this is not cheap...
I'll reserve judgement on that!spitamenes wrote: Stating it was the single most beutiful piece of work done in gold in the world.
Well Marcus, I'm really lookin forward to hearing what you have to say about the exhibit! Do you remember who's gold crown was it in the Afghan exhibit?marcus wrote:I'll reserve judgement on that!spitamenes wrote: Stating it was the single most beutiful piece of work done in gold in the world.The gold crown at the Afghan exhibition at the British Museum was rather special ...
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Unfortunately, it was found in a Scythian(?) grave so they have no way of knowing whose it was. But it was stunning - and the best thing about it was that it was flat-packed ... as sort of IKEA-crown ... so that it could be folded up and stored away in a flat bag! It was from after the Hellenistic period, though - 3rd-4th centuries AD, if I recall correctly. Beautiful!spitamenes wrote:Well Marcus, I'm really lookin forward to hearing what you have to say about the exhibit! Do you remember who's gold crown was it in the Afghan exhibit?marcus wrote:I'll reserve judgement on that!spitamenes wrote: Stating it was the single most beutiful piece of work done in gold in the world.The gold crown at the Afghan exhibition at the British Museum was rather special ...
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