A day in the Byzantine museum of Athens
Posted: Sat Jun 14, 2014 12:52 pm
Since I had a break for one hour and being close to the museum in question, I took the following photos,
http://s1246.photobucket.com/user/IamSy ... t=3&page=1
Surely a different world than the one of ancient Greece and paganism, some marble busts bear the cross, a sign of catharsis from the Christians. I chose some pictures of icons and artifacts but unfortunately I couldnt keep them organized so it will take some of your time to actually find which explanation goes to which artifact.
Most of the icons are dated back to the 13th-15th century. From the most recent ones, a particular one depicts the Saint Sisois in front of Alexander the Great's tomb. I do not know if this depiction has already been used as search material for the tomb (strange, there seems to be glass over the tomb- maybe its a fantastical part created by the biographers of the Saint.) Anyway, Sisois found his way into holyness in the region of Nitria in 357 AD (Nitria is just miles out of Alexandria).
Moreover the icon of the Emperor and Saint Constantine, during th battle against Maxentius that is referenced in
Maxentius organized his forces—still twice the size of Constantine's—in long lines facing the battle plain, with their backs to the river.[155] Constantine's army arrived at the field bearing unfamiliar symbols on either its standards or its soldiers' shields.[156] According to Lactantius, Constantine was visited by a dream the night before the battle, wherein he was advised "to mark the heavenly sign of God on the shields of his soldiers ... by means of a slanted letter X with the top of its head bent round, he marked Christ on their shields."[157] Eusebius describes another version, where, while marching at midday, "he saw with his own eyes in the heavens a trophy of the cross arising from the light of the sun, carrying the message, In Hoc Signo Vinces or "with this sign, you will conquer";[158] in Eusebius's account, Constantine had a dream the following night, in which Christ appeared with the same heavenly sign, and told him to make a standard, the labarum, for his army in that form.[159] Eusebius is vague about when and where these events took place,[160] but it enters his narrative before the war against Maxentius begins.[161] Eusebius describes the sign as Chi (Χ) traversed by Rho (Ρ): ☧, a symbol representing the first two letters of the Greek spelling of the word Christos or Christ.[162][163] In 315 a medallion was issued at Ticinum showing Constantine wearing a helmet emblazoned with the Chi Rho,[164] and coins issued at Siscia in 317/18 repeat the image.[165] The figure was otherwise rare, however, and is uncommon in imperial iconography and propaganda before the 320s.[166]
Also, the very rare icon of Virgin Mary holding a rose, is called "The Unwithering Rose" is the first of its kind.
Aditionally, by looking at this one http://s1246.photobucket.com/user/IamSy ... ort=3&o=35 I just want to add an from a famous byzantine officer and poet by the name George Akropolitis (1217) whose hymn about Jesus Christ's burial is heard in Orthodox churches all over the world during the Easter.(Carmen in magnum sabbatum) I think the hymn itself is beyond all times.
Here is a direct link to the hymn
http://s1246.photobucket.com/user/IamSy ... sort=3&o=0
and
http://s1246.photobucket.com/user/IamSy ... sort=3&o=1
In the hymn Joseph of Aramathea talks with Pilatos right after the Crucifixion
Give to me Him the foreigner
who, from His birth, like a foreigner
lived in this world like a refugee and
a wanderer
Give to me this foreigner
Whom His countrymen
because of their hatred kill
as if He were a stranger and an enemy
Give to me this foreigner
whose odd death surprises me
Give to me this foreigner Who
knows how to serve and take care
the poor and the foreigners
Give to me this foreigner Whose
countrymen killed this way
because of their hatred
and made Him a stranger in this world
Give to me this foreigner so
I can hide Him in the tomb
because He, as a foreigner
has nowhere to lie his head
so He can rest in peace.
Best
Pauline
http://s1246.photobucket.com/user/IamSy ... t=3&page=1
Surely a different world than the one of ancient Greece and paganism, some marble busts bear the cross, a sign of catharsis from the Christians. I chose some pictures of icons and artifacts but unfortunately I couldnt keep them organized so it will take some of your time to actually find which explanation goes to which artifact.
Most of the icons are dated back to the 13th-15th century. From the most recent ones, a particular one depicts the Saint Sisois in front of Alexander the Great's tomb. I do not know if this depiction has already been used as search material for the tomb (strange, there seems to be glass over the tomb- maybe its a fantastical part created by the biographers of the Saint.) Anyway, Sisois found his way into holyness in the region of Nitria in 357 AD (Nitria is just miles out of Alexandria).
Moreover the icon of the Emperor and Saint Constantine, during th battle against Maxentius that is referenced in
Maxentius organized his forces—still twice the size of Constantine's—in long lines facing the battle plain, with their backs to the river.[155] Constantine's army arrived at the field bearing unfamiliar symbols on either its standards or its soldiers' shields.[156] According to Lactantius, Constantine was visited by a dream the night before the battle, wherein he was advised "to mark the heavenly sign of God on the shields of his soldiers ... by means of a slanted letter X with the top of its head bent round, he marked Christ on their shields."[157] Eusebius describes another version, where, while marching at midday, "he saw with his own eyes in the heavens a trophy of the cross arising from the light of the sun, carrying the message, In Hoc Signo Vinces or "with this sign, you will conquer";[158] in Eusebius's account, Constantine had a dream the following night, in which Christ appeared with the same heavenly sign, and told him to make a standard, the labarum, for his army in that form.[159] Eusebius is vague about when and where these events took place,[160] but it enters his narrative before the war against Maxentius begins.[161] Eusebius describes the sign as Chi (Χ) traversed by Rho (Ρ): ☧, a symbol representing the first two letters of the Greek spelling of the word Christos or Christ.[162][163] In 315 a medallion was issued at Ticinum showing Constantine wearing a helmet emblazoned with the Chi Rho,[164] and coins issued at Siscia in 317/18 repeat the image.[165] The figure was otherwise rare, however, and is uncommon in imperial iconography and propaganda before the 320s.[166]
Also, the very rare icon of Virgin Mary holding a rose, is called "The Unwithering Rose" is the first of its kind.
Aditionally, by looking at this one http://s1246.photobucket.com/user/IamSy ... ort=3&o=35 I just want to add an from a famous byzantine officer and poet by the name George Akropolitis (1217) whose hymn about Jesus Christ's burial is heard in Orthodox churches all over the world during the Easter.(Carmen in magnum sabbatum) I think the hymn itself is beyond all times.
Here is a direct link to the hymn
http://s1246.photobucket.com/user/IamSy ... sort=3&o=0
and
http://s1246.photobucket.com/user/IamSy ... sort=3&o=1
In the hymn Joseph of Aramathea talks with Pilatos right after the Crucifixion
Give to me Him the foreigner
who, from His birth, like a foreigner
lived in this world like a refugee and
a wanderer
Give to me this foreigner
Whom His countrymen
because of their hatred kill
as if He were a stranger and an enemy
Give to me this foreigner
whose odd death surprises me
Give to me this foreigner Who
knows how to serve and take care
the poor and the foreigners
Give to me this foreigner Whose
countrymen killed this way
because of their hatred
and made Him a stranger in this world
Give to me this foreigner so
I can hide Him in the tomb
because He, as a foreigner
has nowhere to lie his head
so He can rest in peace.
Best
Pauline