Posted: Wed Aug 29, 2007 10:41 am
I love the theatrical release of the Alexander movie so much. I even had to get the DVD and watch it again and again. Now I also own the DVD of the Final (Revisited) version. Didn't notice that the crying after Gaugamela was missing, Marcus! No!!! That was awesome!
Did notice the added Bagoas scenes. And Ptolemy spelling out that Hephaistion and Bagoas were Alexander's lovers.
The second version is longer but better edited IMHO, especially because it starts with battle scenes, which is what Alexander is known for after all. No one would've been interested in his relationships with mummy and daddy and lovers had it not been for the conquerer part.
Turns out all the bits I was really enthused about, other people hated.
- the totally human, weak, flawed and needy Alexander compared to the god or hero. He cries, he's a mamma's boy, he reveres Homer's poetry... And then he conquers the world. Such a refreshing change from the modern western strong silent boring macho ideal.
- the balls it must've taken to show the ultimate alpha male in a loving relationship with another man and a eunuch (I agree that Bagoas' character was totally based on Renault)
- the ambiguous noble romantic best friend relationship with Haphaistion. Including and especially the "mushy scenes"
- the "real quotes" in the dialogue and narration from "Hephaistion's thighs" to whatnot
- the not to be messed with Olympias - true to Plutarch.
- the obsessive attention to some details that would probably make no sense unless you were "in the know", say the lunar eclipse the night before battle
- the eye liner and jewellery! Our conqueror certainly seemed to be more Persianized than any Persians Hellenized. There was more mash of civilizations than clash of civilizations in that movie.
- The Graeco-Macedonian rivalry in Phillip's time.
- The total blase attitude to male-male relationships. Phillip's boyfriends. Cleitus shouting "what about our boys?" when Alexander announces dowries for the soldiers' women.
- the much maligned wedding night sex scene with Roxanne, which actually has some basis in Afghan legend about Roxanne trying to kill Alexander with a knife on their wedding night.
- All the Macedonia vs Asia debates, Greek vs barbarian ideals showing a strong parallel to modern-day ideas about race (perhaps highlighted by the casting of Rosario Dawson as Roxana, who looks nothing like modern day Central Asians) .
- Those battle scenes with their balance between the general's point of view and the messy, bloody, dusty, confusing, anarchic and mindnumbingly violent soldier's point of view. Perhaps Stone's experiences in Vietnam contributed to those war scenes being shot that way.
- For a movie meant to glorify the ultimate conqueror, it sure made war look like hell. Alexander himself crying at the site of his great victory while the vultures and crows peck out the eyes of the dead. he euthanazing of the young soldier who Alexander tells to think of home. The pointless, mucky deaths without glory in India. The heartwrenching plea of Crateros on behalf of his men to just go home.
Of course, some details could've been worked on. The Persian units at Gaugamela could've been standing their usual units of 10 etc, instead of looking like a bunch clueless farmers who didn't realise they're going to actually participate in the action. Camels in Gaugamela? 100 million dollar budget and no one told Mr. Stone that Persians didn't speak Arabic?
But overall, the movie made me think about a lot of things like modern ideas about sex, violence, gender, masculinity, femininity, friendship, east, west, race, civilization etc. About how different these "absolutes" were for the ancients. How many movies try to challenge so many concepts in the space of three hours? I'll stop gushing now...

The second version is longer but better edited IMHO, especially because it starts with battle scenes, which is what Alexander is known for after all. No one would've been interested in his relationships with mummy and daddy and lovers had it not been for the conquerer part.

Turns out all the bits I was really enthused about, other people hated.
- the totally human, weak, flawed and needy Alexander compared to the god or hero. He cries, he's a mamma's boy, he reveres Homer's poetry... And then he conquers the world. Such a refreshing change from the modern western strong silent boring macho ideal.
- the balls it must've taken to show the ultimate alpha male in a loving relationship with another man and a eunuch (I agree that Bagoas' character was totally based on Renault)
- the ambiguous noble romantic best friend relationship with Haphaistion. Including and especially the "mushy scenes"
- the "real quotes" in the dialogue and narration from "Hephaistion's thighs" to whatnot
- the not to be messed with Olympias - true to Plutarch.

- the obsessive attention to some details that would probably make no sense unless you were "in the know", say the lunar eclipse the night before battle
- the eye liner and jewellery! Our conqueror certainly seemed to be more Persianized than any Persians Hellenized. There was more mash of civilizations than clash of civilizations in that movie.

- The Graeco-Macedonian rivalry in Phillip's time.
- The total blase attitude to male-male relationships. Phillip's boyfriends. Cleitus shouting "what about our boys?" when Alexander announces dowries for the soldiers' women.
- the much maligned wedding night sex scene with Roxanne, which actually has some basis in Afghan legend about Roxanne trying to kill Alexander with a knife on their wedding night.
- All the Macedonia vs Asia debates, Greek vs barbarian ideals showing a strong parallel to modern-day ideas about race (perhaps highlighted by the casting of Rosario Dawson as Roxana, who looks nothing like modern day Central Asians) .
- Those battle scenes with their balance between the general's point of view and the messy, bloody, dusty, confusing, anarchic and mindnumbingly violent soldier's point of view. Perhaps Stone's experiences in Vietnam contributed to those war scenes being shot that way.
- For a movie meant to glorify the ultimate conqueror, it sure made war look like hell. Alexander himself crying at the site of his great victory while the vultures and crows peck out the eyes of the dead. he euthanazing of the young soldier who Alexander tells to think of home. The pointless, mucky deaths without glory in India. The heartwrenching plea of Crateros on behalf of his men to just go home.
Of course, some details could've been worked on. The Persian units at Gaugamela could've been standing their usual units of 10 etc, instead of looking like a bunch clueless farmers who didn't realise they're going to actually participate in the action. Camels in Gaugamela? 100 million dollar budget and no one told Mr. Stone that Persians didn't speak Arabic?
But overall, the movie made me think about a lot of things like modern ideas about sex, violence, gender, masculinity, femininity, friendship, east, west, race, civilization etc. About how different these "absolutes" were for the ancients. How many movies try to challenge so many concepts in the space of three hours? I'll stop gushing now...
