The mauscripts of the ancient writers who used Cleitarchus as a source: Diodorus, Curtius, Plutarch, Justin/Trogus...Paralus wrote:Which manuscript of Cleitarchus would that be?
Best wishes,
Andrew
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The mauscripts of the ancient writers who used Cleitarchus as a source: Diodorus, Curtius, Plutarch, Justin/Trogus...Paralus wrote:Which manuscript of Cleitarchus would that be?
Interesting, because I did not know about the shields.400 blocks from around the Lion, belong to the peribolos (perimeter 500m) of the tomb. The blocks were orthostates, stepsis blocks and geisons for a very long circular wall and exactly the same blocks were found in situ at the peribolos. More than 30 from the rest 100 blocks around the Lion, belong to the basement of the statue, containing blocks with semicolumns semicapitals and...shields. This is the biggest macedonian tumulus ever found and the Lion (not Lionaise) is surely on the top of the tumulus, because all the 430 blocks of the perivolos and the statue basement have the same type and marble elaboration, the same architectural aspects and an entire system of geometrical analogies and an exceptional modulus (the height of the Statue). This same modulus is used also for the construction of the peribolos architecture and the main geometrical form of the tumulus in full analogy with the Lion and its basement. There are no clues about Roxane, the Lion and the marble Shields indicate a Man, propably a heroic warrior(s) of great importance. We cant surely talk about Roxane and Alexander D, as everybody talks so easily at the media all this time. Michaelis Lefantzis,The architect of the excavation
Yes, there are shields either side of the doorway of the Lion Monument in the reconstructions already posted on this thread - repeated below.gepd wrote:Maybe some evidence about whether the tomb belongs to a man or woman, this is a blog post by the architect of the excavation from 2013:
Interesting, because I did not know about the shields.400 blocks from around the Lion, belong to the peribolos (perimeter 500m) of the tomb. The blocks were orthostates, stepsis blocks and geisons for a very long circular wall and exactly the same blocks were found in situ at the peribolos. More than 30 from the rest 100 blocks around the Lion, belong to the basement of the statue, containing blocks with semicolumns semicapitals and...shields. This is the biggest macedonian tumulus ever found and the Lion (not Lionaise) is surely on the top of the tumulus, because all the 430 blocks of the perivolos and the statue basement have the same type and marble elaboration, the same architectural aspects and an entire system of geometrical analogies and an exceptional modulus (the height of the Statue). This same modulus is used also for the construction of the peribolos architecture and the main geometrical form of the tumulus in full analogy with the Lion and its basement. There are no clues about Roxane, the Lion and the marble Shields indicate a Man, propably a heroic warrior(s) of great importance. We cant surely talk about Roxane and Alexander D, as everybody talks so easily at the media all this time. Michaelis Lefantzis,The architect of the excavation
Taphoi wrote:The paper in Hesperia by Edson offers zero evidence that Olympias is buried at Pydna […] All the red text is invented by Edson!
Taphoi wrote:This is no defence against filling an unbounded gap in an inscription with a specific meaning that relies on a direct connection between the fragments either side. The proper term for that procedure is "guesswork".
Taphoi wrote: I have been very clear why it is guesswork in this particular instance: the gap that is being filled is of unknown and indeterminate length, because we do not know how big the block was from which the fragment survives. Such a gap cannot be filled without guessing.
Presented with counter evidence to the cherished wish that Olympias be the occupant of the Amphipolis dig, the proponent of that evidence stands accused of the intellectually bereft methods of guessing and invention. Not by a trained epigraphist but rather an amateur historian. In the final quote that accuser has now deployed the charge of circular argument though any reading of the paper shows this not to be the case; the argument for the proposed restoration resting on epigraphic argument. Circularity is ever present in the supposed reconstruction of any lost source – Cleitarchus included. To paraphrase Africa, that a fragment of Ephorus is to be so identified by alleged congruity with Diodorus does not mean it cannot just as well be a fragment of Diodorus.Taphoi wrote:. It follows as a matter of pure logic that many alternative reconstructions are possible in this instance (indeed three are presented in the paper). If Edson has plucked one from a large set of viable alternative reconstructions, then he is necessarily guessing. In fact he appears to have informed his reconstruction with a pre-existing belief that the tomb of Olympias lay at Pydna, but it is of course circuitous to use the thing you are trying to prove as an assumption in the argument that you use to prove it.
And this is a constant refrain. I can only echo the thoughts of Agesilaos:Taphoi wrote:In order to establish a unique reconstruction, it is necessary to determine as a first step the exact length of the gap between one line fragment and the next and to show why it can only have that size. There is nothing to delimit that gap in this instance. It could be 10 characters or 100 characters.
Finally, I too agree with Stathi:agesilaos wrote:The fragment is clearly in elegiac couplets, a form as restrictive as a limerick, it is not part of a Joycean stream of consciousness rendering your objections void. That you continue to fail to se this speaks more to that supposed 'honesty' of yours than any lack of clarity in explanation;
A much more succinct version of my more varied arguments!Efstathios wrote:No one would have spend a fortune building one of the biggest tombs in history for Olympias, while the tomb of Phillip is 10 times smaller, and Cassander's tomb that may have been found in Vergina is also 10 times smaller. Enough said.
The fellow in front of the horses in the winged sandals is Hermes. He may be carting the departed off to the afterlife as he transcends such boundaries.Alexias wrote:Hades abducting Persphone as in the Aegai wall painting?